In 1994, when Max Almy showed us Maya Deren’s “Meshes of the Afternoon” in her experimental film class at UCLA, I had already seen “Meshes” in another experimental class at Berkeley as an undergraduate. Since the first time I saw it, I have never forgotten how mysterious, surreal and emotional it is. So when we had to do a project in Max’s class, I knew I had to pay tribute to the masterpiece by making my own version about two gay vampires.
With both “Meshes” and Luis Buñuel’s “Un Chien Andalou” in mind, I wanted to make something about a young gay couple stuck in a stagnating relationship so I thought vampirism would be a good metaphor. And to frame their relationship somehow I saw this lonely drag queen who exists in a parallel universe. That was sort of the idea. Continue reading