“Fall 1990” was also very much another experimental film in the sense that it was my first experiment to make a traditional and compelling narrative film with a non-traditional protagonist that you still won’t see in a Hollywood film—a gay Asian American college student. I set out to write something that chronicled my politically active senior year at Berkeley. Ambitious enough to make a semi-period piece, I wrote “Fall 1990” in the fall of 1994 as my second year “Advanced Project” at UCLA.
I also just met UCLA film school senior Justin Lin. Bonded over founding APACT (Asian Pacific Coalition for Film, Theater and Television at UCLA), I thought it would be the perfect opportunity to work with Justin who became the Director of Photography on the project. I can still remember driving up to the San Francisco International Asian American Film Festival with Justin in March of 1994 right before shooting “Fall 1990” to screen our short films—my “Matricide” and his Spotlight Award winning “Soy Bean Milk.” We watched Kayo Hata’s Picture Bride together on the opening night of the festival. I remember Justin commenting all night about the exposure of the moon in that movie. Was a it 1/4 stop off or something? Continue reading