Category Archives: In the Works

Other Nature

Hello Queerious folks!

Please excuse my absence for the last few months as I was occupied by making my short film Memory of a Butterfly. As some of you may remember, my first Queerious post ever was about LGBT in Nepal and the documentary, Other Nature, directed by a dear friend of mine, Miss Nani Sahra Walker. As the film is now near its completion and is currently seeking a distributor in Europe and the U.S., it’s only fitting for my return to Queerious with an interview with the talented Miss Walker, who worked with me on our film Coming in From the Cold, which premiered at the British Film Institute and Los Angeles Gay and Lesbian Film Festival.

Other Nature is a feature-length documentary that chronicles the life experiences of the lesbian, gay, bisexual and third gender community of Nepal, as the country transitions to a federal republic after 240 years of monarchy. More specifically, it documents the pilgrimage two third gender human right activists make to Muktinath, a temple in the Himalayas, to pray for gender equality. The stories of a runaway lesbian couple from Kolkata and another lesbian couple that was unjustly discharged from the Nepali Army are also included; while the challenges faced by third gender sex workers highlight the struggles faced by the LGBT community in Nepal to realize their right to self-determination. The film has been screened in a dozen cities from Vancouver, Brussels to Mumbai.

Tin Lee: Would you tell us more about Third Gender? How does it differ from lesbian, gay and bisexuals if there are any differences?

Nani Sahra Walker: Third Gender is a term used historically in both the East and the West to refer to transgender individuals. In the Hindu Vedic texts,Tritriya Prakriti appears as a distinct gender identification, Third or Other Nature. Tritriya Prakriti emerges time and again in Hindu mythology from the Vedas to the Ramayana and Mahabharata (something like the Odyssey and Iliad of India, only 10-fold in length).

While in the West, third gender would be equated to “transgender,” in Nepal most butch women consider themselves “third gender” and even a lot of gay men who appeared as guys during the day, considered themselves third gender because they liked to dress up at night.

TL: What is the inspiration for the project?

NSW: OTHER NATURE emerged as a curiosity about how a country like Nepal considered “impoverished” and “medieval” by Western media became the first in the world to grant third gender citizenship and make such advancements in human rights issues.

In 2001 I read that a small organization was organized for the rights of sexual minorities – Blue Diamond Society. It was a glimmer of a new beginning, a possibility for radical change and a step towards advancement. I followed the Blue Diamond Society online for many years. In 2008 when the Supreme Court passed a legislation protecting the rights of the LGBT community and granting third gender citizenship, I knew I had to go to Nepal and make a film. Much of the representation of Nepal has always been centered on the Himalayas, either exotifying the mountains or focusing on the poverty.

TL: Can you tell us more about the Blue Diamond Society?

NSW: Blue Diamond Society was founded in 2001 by Sunil Babu Pant and a handful of people who felt the need to protect LGBT rights in Nepal. After monarchy toppled, there were a lot of people standing up for their rights like women, low-caste and indigenous groups that had all been squelched under the 240 year regime. It was the right moment to start an LGBT organization and demand freedom and equality!

TL: The pilgrimage to Muktinah, was it difficult?

NSW: Well, we were lucky that the roads were built by that time. Just a decade ago, there were no roads to Muktinath, so it would have been a really tough journey, weeks of walking. But surely, it was a difficult journey especially because we traveled in May on the cusp of monsoon and there were a lot of floods along the way. At one point, I remember it was like an obstacle course.  On a dirt road along the hillside, we spent one afternoon laying rocks on the flooded roads, already a detour from the towns we avoided due to riots and demonstrations.

The journey Bhumika and Badri take to Muktinath is by and large the axis on which this project rests. We traveled 9 days on unpaved flooded roads, trying our best to beat the rains before landslides would make it impossible to bear the terrain. The road trip put us up against all the forces of nature, and tested our intentions. The journey is much like the process of attaining equal rights.

TL: Did you feel that was also a pilgrimage for yourself?

NSW: Yes, not for much for religious factors but to take such a journey and realize what’s at stake. A 14-year old boy was killed by a falling boulder along the road just 5 minutes before us after we returned shooting Badri’s village. This stirred a lot of silence and awe. What it takes to want something so bad and how along the way, it’s all about the process.

TL: Were you raised in Nepal? Do you feel that Nepal is where your roots are?

I was born in Nepal and came to the US when I was 10. I feel a strong connection to Nepal in the sense that all my childhood memories take me back to Nepal. But, of course my adolescence and higher education was completed in the US and Japan so I don’t have a sense of belonging solely to Nepal, or solely to the US. My roots are everywhere and nowhere.

TL: Given the subject matter, did you encounter any problems while filming in Nepal?

NSW: We had many heads turn especially during the shoot but all in all we had a smooth production experience. Nepal has a small but vibrant production industry. We found people were kind, helpful and full of good spirits.

TL: Ah that’s always nice to hear. What was the most perilous situations you found yourself in while filming there?

NSW: While we were shooting the sex workers, we found ourselves in the crossfire between the police, the mafia and the sex workers. It was pretty scary some nights, and on our last night the police made a SPECIAL warning that we would be arrested if we are seen shooting in these parts again. I guess, it was like a territorial war because our cameras protected the sex workers in a way from the usual harassment and violence used to crack down on prostitution.

TL: How is the state of affairs for LGBT community in Nepal now?

NSW: It is all a process, so it continues. Although Nepal might look like an advanced country on paper, in law, there’s no constitution in place so it’s a pretty chaotic place and I think the LGBT community continues to work and create more visibility and understanding. Sunil Babu Pant is in the process of opening an LGBT center in Kathmandu so I think this will help as a place of refuge, building and solidifying.

TL: Was it difficult to find funding?

NSW: Funding independent films always requires imagination, desire, courage and persistence. I worked 3 jobs to save the first lump sum and then a few fundraisers. I had a lot of support so I feel grateful. As we’re In the process of distribution now, it’s the same kind of game. I think crowd-funding platforms are a great resource for independent filmmakers.

TL: What advice would you give to struggling indie queer filmmakers when they set out to do a project of their own?

NSW: Have a clear idea of your project, put your plan on paper and give 200%. Seek like-minded people to collaborate with and connect with an umbrella organization for tools and resources. Be patient and persistent.

At the moment Other Nature is raising funds to hire a composer. Check out how you can help this amazing project.

How Filthy Can You Be? I Am Divine Goes IndieGoGo

Do you remember your first Divine movie?  For me it was John Water’s Female Trouble at the Castro Theatre in San Francisco.   As a young, queer man I squealed, applauded and felt empowered by the “bearish” drag queen, who literally and figuratively chewed the scenes and her fellow actors to shreds; prompting me immediately to demand to all my friends, that I wanted “cha-cha” heels for ‘Xmas.

As a chubby, gay, film loving, Asian-German-Irish hybrid, I always felt out of place amongst my peers but for the first time I felt like had found my inspiration; a fearless role model who manifested all the rebelliousness, sexual freedom and joyous anarchy that was pent up inside of me.

That’s why it’s important to support Jeffrey Schwarz’s upcoming documentary I AM DIVINE  because:

– Jeffrey does beautiful work capturing cultural icons who have helped shape and influence entertainment. Definitely check out his other films, Spine Tingler: The William Castle Story and Wrangler: Anatomy of an Icon.

– The King of Trash, John Waters has given his blessing and Mink Stole is officially on-board too!

– There’s some groovy incentives to give: t-shirts, posters and even a chance to tell your friends, with a stogie in your mouth, that “I’m a producer!”

– And finally for those of you familiar with this drag icon, I’m sure I’m not alone in my feelings of liberation and respect for Divine’s work.  And for the uninitiated, this documentary will introduce a new generation to the life of one of the original “It Gets Better” stories.

I AM DIVINE, directed by Jeffrey Schwarz and produced by Schwarz and Lotti Pharriss Knowles, will premiere in the Summer of 2012.

IndieGoGo campaign page:


Facebook page:

Check out the official trailer at:

Woman Demon Human Me

by Tin

Things have been awfully quiet here on Queerious, partly because our editor-in-chief Quentin is too busy directing a great project. If you haven’t heard about it yet, you should.

As an independent filmmaker myself, I of course aspire to be as accomplished a director as Quentin is one day. I am actually working on a (much smaller) project of my own, a short film with a lesbian love story and a Chinese Opera theme.
There will never be enough space on this blog to discuss the arts and (over 200 years) history  of Chinese Opera. The Illuminated Lantern has done a great job at providing a short history.

My history with Chinese Opera began as child when I attended a lot of performances with my aunt in Hong Kong. My aunt has always been a Chinese Opera enthusiast and still performs opera plays as a hobby today. Like most children, I dismissed the ancient art as monotonous plays and ghastly noise. It was not until years later when I attended a performance put on by my aunt and her amateur Cantonese Opera group did I begin to appreciate the aesthetics and subtleties of Chinese Opera, and the discipline it requires. Subtleties, the ability to illicit the grandest emotions and convey the deepest message by the smallest gestures or images, have always been what I strive for in my films. Combining the medium of film and the ancient art of Chinese Opera seems to me is a perfect union.

When one talks about Chinese Opera in cinema, the more celebrated films like Chen Kaige’s Farewell, My Concubine and his recent Forever Enthralled, or even the more commercial, lighthearted Peking Opera Blues by Hong Kong director Tsui Hark will come to mind.

But one of the greatest inspirations on this project for me is the under-appreciated (at least at the time of its release) and obscure 1987 film Woman Demon Human by director Huang Shuqin, one of the very few prominent female filmmakers in mainland China. Continue reading

I Know at Least Two People Who Are Thrilled About Barrios’ Resignation

by Angela

I sat down with gay film makers Israel Luna and Toni Miller of La Luna Entertainment earlier this week to get their reaction to Jarrett Barrios’ resignation from GLAAD. Why would these two horror filmmakers give two shakes about his, and then the subsequent 8 board members’ resignation over GLAAD’s endorsement of AT&T and T-Mobile’s proposed merger?

Well, back in March of 2010 Luna’s campy horror film, Ticked off Trannies with Knives, became a GLAAD Call to Action for its use of the word “tranny”, which is often considered a pejorative within the trans community. The film basically features hot transgendered women who seek revenge after being attacked by a group of red necks a la I spit on Your Grave”. The film is bloody, funny, sexy, trashy, exploitive, and pretty much everything else you’d ever want in a horror film. And GLAAD hated it.

Prior to the film’s release, Luna reached out to GLAAD for education about transgender terminology and issues facing the transgender community because they had received their first negative reactions about the film’s title. Continue reading

A Woman Named Canyon Sam

by Quentin

When I first met Canyon Sam about two years ago at a reading of her book Sky Train: Tibetan Women on the Edge of History, I was immediately queerious about Canyon and her works because she is such a multi-talented personality. Based in San Francisco, Canyon Sam is an accomplished performance artist, published author and activist. Starting out as an activist in the 70s, Canyon Sam has contributed significantly to the LGBT, Asian American and global Tibetan community. As an LGBT person of color in America, I also found Canyon’s life and works fascinating and compelling because of her intersecting cultural, ethnic and sexual identities. However, I was surprised that not many people knew about her and her works. Canyon is also one of the first Asian American lesbian activists in the world.

Canyon and I decided to work on a documentary together about her life and works. I started shooting on and off for a year and a half, and now it’s the time to finish it up as I just received a festival invitation. The film will have its world premiere in May! Continue reading

Fabulous High

by Quentin

Actor/Producer/Writer Derek Villanueva and Producer/Director Sean Willis are making a multicultural LGBT webseries called Fabulous High. They are looking  for $5,000 of donation on Will you help kickstart the series?


by Doris

Gay and Gay, sitting in a tree, KISSING…first comes love, then comes same sex marriage…then comes the Gayby in the Gayby carriage…

Recently at Sunday brunch in the Castro squeezed in between the tables of mimosas and Bloody Marys, I spied at least 5 top of the line $1000 Bugaboo strollers in the restaurant surrounded by cooing daddies (No..not that type) and mommies feeding organic soymilk formula to their litte darlings. I was also reminded of a MTF lesbian acquaintance of mine who just had a baby with her wife. She had frozen her sperm before her sexual reassignment surgery which they used to impregnate her wife who gave birth to gayby twins. Continue reading

Finding Moments

by Jason

Returning in Jason's second film "Square Dance Story," Kyle Toy played John in Jason's first short "I'm in the Mood for Love."

Last week, we wrapped shooting “Square Dance Story.” The production was my most rewarding and technically challenging shoot to date. Normally, I spend weeks rehearsing with the main actors talking about character. This film has minimal dialogue. Most of the main actors were not square dancers. Rehearsals were devoted to square dancing and any work on character was not done until close to shooting day. Dangerous! At the same time, I had to have faith in my actors to find non verbal ways to communicate their characters. Continue reading

OUTside IN

A gay new sitcom? Check out the demo reel for Joe Souza & Terry Ray’s OUTside IN. Is it just too gay and LA?

Egos Aside

by Jason

This week has just flown by. It’s the middle of the month and I’ve just finished having my first dance audition today.  In two weeks, I am shooting my first dance film with large scale choreography and no dialogue. The project is teaching me how to work with dancers and describe a good story through movement.  Certainty is the word of the day and this is in stark contrast with the beginning of my week. How do you get young people out to do a square dance film? Continue reading

New Year’s Day Switch

by Jason

Have you noticed all the weight loss advertisements lately? It’s almost as if a switch had been turned on New Year’s Day and we are being whipped into a guilt trip over the indulgences of the last two month.  I know that this is not a new thing, but whatever happened to easing into it. We are riled up to eat and be merry over the holidays and then knocked down equally as fast if not faster. It’s no wonder we have eating disorders.

Continue reading